The factory wall records time. Experienced from the adjacent artists’ studios the wall receives light, marking the passage of time, counting the hours, days and seasons. The film takes the distracted, peripheral experience of the wall, registered though these disparate timescales, concentrating the captured fragments into a focused, new construction. The screen of the wall is dissected and reconstituted in the screen of the film. The concluding coda synthesises an extended timeframe of eighty days of continuous filming into one minute of pulsing days, flickering light and washes of rain. Continue reading →

The factory wall records time. Experienced from the adjacent artists’ studios the wall receives light, marking the passage of time, counting the hours, days and seasons. The film takes the distracted, peripheral experience of the wall, registered though these disparate timescales, concentrating the captured fragments into a focused, new construction. The screen of the wall is dissected and reconstituted in the screen of the film. The concluding coda synthesises an extended timeframe of eighty days of continuous filming into one minute of pulsing days, flickering light and washes of rain. Continue reading →

As part of the ASC’s Croydon Studio’s inaugural exhibition, 40° Celsius, I exhibited an installation of clips of footage that I had taken from the windows in my new studio, F23, in the ASC Grafton Quarter.

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