This edited film uses the triptych format to present material generated as from the “Axonometric Portrait 3” acrylic cube and block arrangement. The various stages of footage, along with scans of the three cyanotype prints are presented in each of the three panels of the triptych, each with differences in version or digital manipulation, and at various speeds, to chart the progress of the making of this work, and in doing so to make a new work.